Tuesday 24 June 2008

Ain Soph

Ain Soph   
Artist: Ain Soph

   Genre(s): 
Rock
   Experimental
   Rock: Gothic
   



Discography:


October   
 October

   Year: 2002   
Tracks: 7


III: Ritual CD2   
 III: Ritual CD2

   Year: 1999   
Tracks: 1


III: Crucifuge CD1   
 III: Crucifuge CD1

   Year: 1999   
Tracks: 1


Kshatriya   
 Kshatriya

   Year: 1993   
Tracks: 5


Aurora   
 Aurora

   Year: 1992   
Tracks: 14




The all-instrumental Ain Soph formed in the late '70s in Japan and was influenced by the jazz-rock fusion of Canterbury bands of the recent '60s and other '70s such as Camel and Soft Machine. Dominated by keyboards, the band's idle words nuclear fusion reaction on occasion gives way to medicine more in the progressive rock vein with more orchestrated and spacier sections. Calling themselves Tenchi Sozo, Yozok Yamamoto (guitars), Kikuo Fujikawa (keyboards), Masahiko Torigaki (bass), and Hiroshi Natori (drums) recorded one of their 1978 concerts as a demo tape. Released in 1991 as the Ain Soph album Ride on a Camel, it shows a stronger influence by Camel than on afterward releases. Changing their call to Ain Soph in 1980, Fujikawa left the stripe and the grouping found a new keyboard musician in Masey Hattori. Their first record album, A Story of Mysterious Forest (1980), brought around comparisons to the jazz fusion of Mahavishnu Orchestra. When Hattori left to pattern the fusion stria 99.99, it brought well-nigh an end to activity on the Ain Soph front until 1986, when Fujikawa rejoined the band with Bellaphon drummer Taiqui Tomiie. Hat and Field was released in 1987 and was a testimonial of sorts to the Canterbury band Hatfield and the North. 1991's Marine Menagerie featured studio versions of some of the material from Ride on a Camel with some new tracks. Fire From Nine, released in 1993, set up the stripe moving more towards square jazz than on old records.